SHEDDING THE MONKEY
Taking the lead from Terence Mckenna about the human monkey mind being the biggest problem for us to solve....here are the ramblings of my monkey mind as I attempt to SHED THE MONKEY.
Wednesday, February 27, 2013
Wednesday, December 19, 2012
Sculpture and Installation Photo Gallery
This is from an installation called Breathing Room II that I exhibited as part of a multi-installation show at the Reese Bullen Gallery at Humboldt State University in 2002. The concept was an environment that helped the viewer feel a connection to these inanimate wet clay figures, wrapped in plastic, that become animated by the heat of the lights causing condensation around their faces. A revision of the first Breathing Room show from 1995 in Eugene Oregon.
Head and Shoulders above it all (1996)
Shapeshifters (1998)
Mr. and Mrs. King (1995)
Daedalus (2011)
above: Decline Series (ongoing) below: Emergence Series (ongoing)
Saturday, November 17, 2012
Test 2
11.17.12
Unfired pieces:
Formula:
New base (Base w/ ball clay and neph sye)
-batch cut in half for 2 tests: (notes to self...gibberish)
1) added 1/4 part (1/2 spoon) cobalt carb= med. blue (should have been 1 spoon?).
1.1) same as 1, but blue/green ostrom brushed over, dots of #2 inlayed
1.2) 1+inlay #2 eyes (skull)
1.3) 1+ brushed bright green ostrom (hathor background)
1.4) 1 in slab, rolled onto lowfire slip slab, pressed into shabti mold, #2 inlay band at bottom.
2) base + 1/2 pt (2 spoons) chrome carb= green
Unfired pieces:
Formula:
New base (Base w/ ball clay and neph sye)
-batch cut in half for 2 tests: (notes to self...gibberish)
1) added 1/4 part (1/2 spoon) cobalt carb= med. blue (should have been 1 spoon?).
1.1) same as 1, but blue/green ostrom brushed over, dots of #2 inlayed
1.2) 1+inlay #2 eyes (skull)
1.3) 1+ brushed bright green ostrom (hathor background)
1.4) 1 in slab, rolled onto lowfire slip slab, pressed into shabti mold, #2 inlay band at bottom.
2) base + 1/2 pt (2 spoons) chrome carb= green
Test 1
Here is the first of my tests for a great Egyptian Faience clay body:
Here are the fired results
(cone06):
Methods: (notes to self...)
Base batch all include .5 part copper carb
add:
1) base
1.5) base + 1/4 pt mason #6266 (peacock green)
2) base + 1part ball clay for plasticity
3) base + 1/2 pt ball clay + 1/4 pt neph sye.
3.5) same as #3 but rolled into a slab and placed on a slab of lowfire slip slab, joined and pressed into a mold.
Results:
1= good but non plastic, cracks develop
1.5= bad....mason's too dark
2= ok, not as shiny as 3.
3= great, best result.....color could be darker for more tests...
3.5= very interesting direction, esp. the thick/thin color variation
Here are the fired results
(cone06):
Methods: (notes to self...)
Base batch all include .5 part copper carb
add:
1) base
1.5) base + 1/4 pt mason #6266 (peacock green)
2) base + 1part ball clay for plasticity
3) base + 1/2 pt ball clay + 1/4 pt neph sye.
3.5) same as #3 but rolled into a slab and placed on a slab of lowfire slip slab, joined and pressed into a mold.
Results:
1= good but non plastic, cracks develop
1.5= bad....mason's too dark
2= ok, not as shiny as 3.
3= great, best result.....color could be darker for more tests...
3.5= very interesting direction, esp. the thick/thin color variation
Wednesday, November 30, 2011
Sunday, January 16, 2011
Tuesday, January 11, 2011
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